"A Jubilant Song" at Carnegie Hall
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Hosted by Tony-winning actor Roger Rees, the evening was the gala inaugural concert to introduce the new music director James Bagwell, who is assuming the mantle of conductor after the unexpected death of Roger Bass. The Collegiate Chorale was first established in 1941 by Robert Shaw and has been a staple of classical repertoire in NY ever since, emphasizing choral tradition and American music but also presenting operatic works. While there many guest vocalists, the first segment of the evening was strictly about the Chorale. The evening started with performances of Giovanni Gabrieli's "In ecclesiis," Alexander Kopylov's "Svete Tihiy" and an arrangement of the spiritual "Set Down Servant." This led into Norman Dello Joio's "A Jubilant Song" which may be one of the most intricate choral pieces I have ever heard with intricate melodic lines and rhythms; I can only imagine what the sheet music for this piece must look like. were on hand to reprise selections from that most stunning score. Mobbs was George Washington in "On Ten Square Miles by the Potomac River," Soprano Emily Pulley sang a tender "Take Care of this House" with Kalif Omari Jones while "Anita Johnson and Robert Mack performed the infectious "Lud's Wedding." Pulley, in a tremendous Carnegie Hall debut, recreated her colorful "Duet for One" to the wild enthusiasm of the audience. While she's no Patricia Routledge (who is, really?), she understands the schizophrenic comedy better than other opera singers who have taken on the part in presentations of One of the great joys of the entire evening was hearing this music performed, not only in such a perfect performance space as Carnegie Hall, but also to hear pure acoustic sound. Except for Rees' commentary, the evening was unamplified. Though I've had a considerable classical background, I haven't gone to many concerts or to the opera as much as I'd like. Every time I do; however, I marvel at the extreme beauty of hearing music performed with some sort of electronic...
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